Creative Coding: The ideation process in generative design
What is Creative Coding?
Creative Coding is a place where experience in the field of design, love of explorative creativity and skills as a programmer come together. Unbound by commercial purpose and driven by free flow, it is a design approach that inspires and motivates to constantly challenge existing limits and unfold new creative possibilities. Discovery-based, iterative Creative Coding projects and artifacts often lay the groundwork for future commercial generative design systems.
McKinsey Dynamic Identity Explorations
No. 1 of 4 (2018)
No. 1 of 4 (2018)
McKinsey Dynamic Identity Explorations
No. 2 of 4 (2018)
No. 2 of 4 (2018)
McKinsey Dynamic Identity Explorations
No. 3 of 4 (2018)
No. 3 of 4 (2018)
McKinsey Dynamic Identity Explorations
No. 4 of 4 (2018)
No. 4 of 4 (2018)
Branding Toolkit
No. 1 of 3 (2020)
No. 1 of 3 (2020)
Branding Toolkit
No. 2 of 3 (2020)
No. 2 of 3 (2020)
Branding Toolkit
No. 3 of 3 (2020)
No. 3 of 3 (2020)
Reflection Distribution Frequency
No. 1 of 3 (2021)
No. 1 of 3 (2021)
Input →
Noise
,
User-input
Reflection Distribution Frequency
No. 2 of 3 (2021)
No. 2 of 3 (2021)
Input →
Noise
,
User-input
Reflection Distribution Frequency
No. 3 of 3 (2021)
No. 3 of 3 (2021)
Input →
Noise
,
User-input
The Creative Coding archive
The explorations and visual artifcats you will find on this site arise from what inspires, surrounds and moves my everyday life and work. Aiming to explore new territories and aspects at the intersection of code and design, they emerge from an inventive and iterative process of interest, enquiry and experiment. By opening up my creative coding archive, I would like to foster the collaboration with researchers and designers and inspire both independent and commercial projects.
All of these ideas can be licensed or adapted for commercial use in your next project.
Contact me about a creative coding project you like
Man/Machine interface in real-time
No. 1 of 5 (2017)
No. 1 of 5 (2017)
Man/Machine interface in real-time
No. 2 of 5 (2017)
No. 2 of 5 (2017)
Man/Machine interface in real-time
No. 3 of 5 (2017)
No. 3 of 5 (2017)
Man/Machine interface in real-time
No. 4 of 5 (2017)
No. 4 of 5 (2017)
Man/Machine interface in real-time
No. 5 of 5 (2017)
No. 5 of 5 (2017)
XO Branding – Schabsky
No. 1 of 3 (2018)
No. 1 of 3 (2018)
XO Branding – Schabsky
No. 2 of 3 (2018)
No. 2 of 3 (2018)
XO Branding – Schabsky
No. 3 of 3 (2018)
No. 3 of 3 (2018)
Painting Posters
No. 1 of 3 (2018)
No. 1 of 3 (2018)
Input →
Randomness
,
User-input
Painting Posters
No. 2 of 3 (2018)
No. 2 of 3 (2018)
Input →
Randomness
,
User-input
Painting Posters
No. 3 of 3 (2018)
No. 3 of 3 (2018)
Input →
Randomness
,
User-input
Fluid Motion Studies
No. 1 of 3 (2018)
No. 1 of 3 (2018)
Fluid Motion Studies
No. 2 of 3 (2018)
No. 2 of 3 (2018)
Fluid Motion Studies
No. 3 of 3 (2018)
No. 3 of 3 (2018)
Kinetic Light Particles
No. 1 of 2 (2019)
No. 1 of 2 (2019)
Input →
Physics
,
User-input
Kinetic Light Particles
No. 2 of 2 (2019)
No. 2 of 2 (2019)
Input →
Physics
,
User-input
Shadow Paintings
No. 1 of 3 (2019)
No. 1 of 3 (2019)
Input →
Noise
,
User-input
Shadow Paintings
No. 2 of 3 (2019)
No. 2 of 3 (2019)
Input →
Noise
,
User-input
Shadow Paintings
No. 3 of 3 (2019)
No. 3 of 3 (2019)
Input →
Noise
,
User-input
Kinect Spatial Motion Tracking
No. 1 of 2 (2017)
No. 1 of 2 (2017)
Kinect Spatial Motion Tracking
No. 2 of 2 (2017)
No. 2 of 2 (2017)
Generative Business Cards
No. 1 of 2 (2018)
No. 1 of 2 (2018)
Generative Business Cards
No. 2 of 2 (2018)
No. 2 of 2 (2018)
Crazy Cool Developers Branding
No. 1 of 2 (2018)
No. 1 of 2 (2018)
Input →
Big data
,
User-input
Crazy Cool Developers Branding
No. 2 of 2 (2018)
No. 2 of 2 (2018)
Input →
Big data
,
User-input
Digital Design Days / OFF. Monolith
No. 1 of 3 (2018)
No. 1 of 3 (2018)
Input →
Photographs
,
User-input
Digital Design Days / OFF. Monolith
No. 2 of 3 (2018)
No. 2 of 3 (2018)
Input →
Photographs
,
User-input
Digital Design Days / OFF. Monolith
No. 3 of 3 (2018)
No. 3 of 3 (2018)
Input →
Photographs
,
User-input
Expanding Systems
No. 1 of 6 (2018)
No. 1 of 6 (2018)
Expanding Systems
No. 2 of 6 (2018)
No. 2 of 6 (2018)
Expanding Systems
No. 3 of 6 (2018)
No. 3 of 6 (2018)
Expanding Systems
No. 4 of 6 (2018)
No. 4 of 6 (2018)
Expanding Systems
No. 5 of 6 (2018)
No. 5 of 6 (2018)
Expanding Systems
No. 6 of 6 (2018)
No. 6 of 6 (2018)
Space On Rails
No. 1 of 1 (2017)
No. 1 of 1 (2017)
Input →
User-input
MeMa Kultur Branding
No. 1 of 1 (2017)
No. 1 of 1 (2017)
Input →
Photographs
,
User-input
Bach – Prelude in C
No. 1 of 12 (2017)
No. 1 of 12 (2017)
Input →
Sound & Music
,
User-input
Bach – Prelude in C
No. 2 of 12 (2017)
No. 2 of 12 (2017)
Input →
Sound & Music
,
User-input
Bach – Prelude in C
No. 3 of 12 (2017)
No. 3 of 12 (2017)
Input →
Sound & Music
,
User-input
Bach – Prelude in C
No. 4 of 12 (2017)
No. 4 of 12 (2017)
Input →
Sound & Music
,
User-input
Bach – Prelude in C
No. 5 of 12 (2017)
No. 5 of 12 (2017)
Input →
Sound & Music
,
User-input
Bach – Prelude in C
No. 6 of 12 (2017)
No. 6 of 12 (2017)
Input →
Sound & Music
,
User-input
Bach – Prelude in C
No. 7 of 12 (2017)
No. 7 of 12 (2017)
Input →
Sound & Music
,
User-input
Bach – Prelude in C
No. 8 of 12 (2017)
No. 8 of 12 (2017)
Input →
Sound & Music
,
User-input
Bach – Prelude in C
No. 9 of 12 (2017)
No. 9 of 12 (2017)
Input →
Sound & Music
,
User-input
Bach – Prelude in C
No. 10 of 12 (2017)
No. 10 of 12 (2017)
Input →
Sound & Music
,
User-input
Bach – Prelude in C
No. 11 of 12 (2017)
No. 11 of 12 (2017)
Input →
Sound & Music
,
User-input
Bach – Prelude in C
No. 12 of 12 (2017)
No. 12 of 12 (2017)
Input →
Sound & Music
,
User-input
Digital Design Days Milano / OFF Festival
No. 1 of 1 (2017)
No. 1 of 1 (2017)
Input →
Noise
,
User-input
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