Polkadot represents the forefront of decentralized network technology, shaping the construction and collaboration of blockchains. Initiated by Gavin Wood, a co-founder of Ethereum, its creation addresses the hurdles anticipated in a Web3 era.

In collaboration with the Polkadot community, our goal was to reinvent the brand in a way that empowers the community to embody and promote Web3’s vision through Polkadot. This approach led us to develop versatile branding tools instead of rigid guidelines, fostering unity yet embracing diversity. To embody this decentralized ethos in a tangible brand identity, we ensured it resonates with the core values of flexibility, interoperability, and evolution that Polkadot champions.

Surface invites people to drop their masks and show the reality behind the social stage. Showcased on web-enabled CLPs in public places of pause, people are encouraged to take a selfie that reveals their actual current mood. Simultaneously broadcast across a network of screens, people that see the image can instantly respond, show their compassion with preset emoticons or join their brave predecessors in uploading their own unmasked selves. Uploading their unmasked self, the picture appears on the CLP–screen as the sum of different shapes in a three dimensional field – symbolizing the effort that it takes to keep oneself together day by day. ‚Surface‘ wants to interrupt everyday life, draw peoples attention to the image they create in public and showcase the dark side of constantly hiding one’s feelings. Let’s create connections by taking off our masks.

Agency Dragon Rouge Singapore invited me to bring to life their idea of a flexible visual design system which recognizes the multiple forms in which energy exists. An idea that reflects the various facets and states in which energy can exist – from the electrons of the sun, to the carbon molecules of our earth, to the latent potential that lies in every individual. This is exactly what each “PETRONAS dot” represents. The identity pays homage to Petrona’s core identity and emphasizes the brand’s expertise and technological capabilities.

This is one of the initial concepts I pitched for a direction and mood for a collaboration between TBrand x Verizon, published in the New York Times. A project that explores and celebrates how journalism and the very way of how it works has been transformed by modern technologies and „the evolution of speed“.

An interactive and generative collage which invites the viewer to playfully engage with selected fragments of the concepts of communication. This collage is based on the film “A Communications Primer” […]

In absence of new impressions, SHUTDOWN.gallery appears as a contemporary place of visual experience that intends to reawaken cultural life beyond social distancing and to literally overwrite the walls of our private space. SHUTDOWN.gallery aims to rethink existing concepts and reestablish focus in a world of distraction. Every week, there will be a new exhibition with an artist whose work moves the world of art and design and thus maintains the fertile environment of constant change.

Chimes is an interactive, audio-reactive experience that translates the sound of a room into digital wind, setting in motion an exploration of space, music and time. The installation invites the viewer to surrender to the interplay of spatial sound, touch, air, movement and noise and to discover ever new facets in a constantly changing environment.

Kinetic motion-study for an interactive, data-driven dynamic identity.
Modern tools allow us to create dynamic identities that reach beyond traditional mediums and make the recipient an active part of the conversation. This was designed as a basis to develop projection-mapped, interactive tapeart installations, interactive motion-walls and key-visuals for posters, videos and GIFs.

In early 2018 I had the chance to collaborate with agencies onformative and Wolff Olins on the rebranding for the global management consultants McKinsey & company. One of the directions of the global pitch aimed at making the new McKinsey „smart M“ logo dynamic, bespoke and highly reactive. I was tasked with exploring non-traditional approaches, which made me come up with ideas ranging from using facial markers and employee’s names as data points for unique and tailor-made logo variations up to creating unique synthesized soundscapes based on people’s interaction with logo.

A significant part of my job often involves brainstorming and shaping new concepts that redefine what dynamic brands can be, making them more accessible, responsive, and expressive. This work, now almost six years old, represents an early stage in my journey. Looking back, it’s fascinating to see how my pursuit of impactful, data-driven branding has been a consistent theme in my career, even before I fully mastered the techniques of generative design.

Exhibited at APT Studios London, 2018.An interactive work of abstract art that graphically represents/interprets the physical presence of visitors, the surrounding environmental noise of the exhibition space as well as […]

This dynamic visual identity-system uses motion-capture data to combine visual algorithms with the personal expression of human dancers, creating intricate forms and mesmerizing snapshots of motion in the process.

It distills the very essence of its subject to create individual and uniquely branded design-variations for the famous ballet composed by Pyotr Tchaikovsky. It is a comment on and exploration of how modern design-systems can express their subjects in a way that detaches the designer from the actual process by using generative design-approaches, allowing for unforeseen and autonomous design-decisions.

Exploring motion recordings of dance inside a web browser.

Man/Machine interactive interface exploration for theatre live performances. A series of 3D-physical projections mapped to physical performances in real-time. Hello Kinect and Processing.

An exploration of matching a physical 3D projection-space with a dynamic, flocking particle system and body tracking (specifically hand-tracking). Real-time human motion is translated into a large-scale prohection.

Created in a joint effort with designer and musician Tim Rodenbröker, this audio-reactive music video was created using a wide variety of visual techniques centered around the idea of having autonomous entities (i.e. generative systems) scan and interpret large amounts of visual information with little to no human influence – triggered only by the factors of music and randomness.