Two years ago famed Swedish paper brand Munken developed a new font which they subsequently made available for everyone to use: Munken Sans – a timeless font, inspired by 1960’s Swedish typeface Tratex.

After the release, I was approached by agency JUNO to ideate and develop a novel playground for this font which would allow creatives to explore its application in surprising new ways. They specifically asked for a solution that would fuse the unexpectedness of Creative Coding- and Generative Design-based visual exploration with precise control over the font’s properties. The result of our dialogue is The Munken Creator: A playground of unimagined possibilities, enabling designers to create visually animated and unique messages. It is an invitation to inspire cooperation among creatives. And a challenge of how we preserve the heritage of design while simultaneously reinventing its tools for a hybrid future.

Agency Dragon Rouge Singapore invited me to bring to life their idea of a flexible visual design system which recognizes the multiple forms in which energy exists. An idea that reflects the various facets and states in which energy can exist – from the electrons of the sun, to the carbon molecules of our earth, to the latent potential that lies in every individual. This is exactly what each “PETRONAS dot” represents. The identity pays homage to Petrona’s core identity and emphasizes the brand’s expertise and technological capabilities.

In the anniversary year 2020, the Kunsthistorisches Museum Wien is exhibiting artists who do more than quote, interpret or contrast Beethoven’s work: The exhibition shows how Beethoven’s expressivity and cultural power permeate artistic practice from Romanticism to the present day. Across eras and disciplines, the exhibits demonstrate Beethoven’s inspirational impact and cultural power: The Beethoven Phenomenon.

This project references the curatorial leitmotif of the exhibition: The aim of the communicative approach is to make The Beethoven Phenomenon linguistically and visually palpable and to anchor the relevance of the exhibition associatively.

This is one of the initial concepts I pitched for a direction and mood for a collaboration between TBrand x Verizon, published in the New York Times. A project that explores and celebrates how journalism and the very way of how it works has been transformed by modern technologies and „the evolution of speed“.

An interactive and generative collage which invites the viewer to playfully engage with selected fragments of the concepts of communication. This collage is based on the film “A Communications Primer” […]

In absence of new impressions, SHUTDOWN.gallery appears as a contemporary place of visual experience that intends to reawaken cultural life beyond social distancing and to literally overwrite the walls of our private space. SHUTDOWN.gallery aims to rethink existing concepts and reestablish focus in a world of distraction. Every week, there will be a new exhibition with an artist whose work moves the world of art and design and thus maintains the fertile environment of constant change.

When tasked with the brief of designing a flexible visual identity and design system for Creative Coding Utrecht’s “Art Machines” series of events I took inspiration from the event’s title and developed a quite literal art machine that can transform the portraits of participating artists and their machinery into infinite key visuals for the event’s communication collateral while showing that the web can touch both the digital and physical world.

Exploration of using dynamic alpha-textures to generate light-leaks on procedural typography.

Click and drag to move the camera. Drag the particles to interact with them.Change the parameters of the simulation by opening the options at the top right. A data-driven, kinetic […]

Real-time, interactive fluid and organic motion-studies. R&D for web-based, interactive 3D for high-performance dynamics. Developed with Three.js, GLSL and JavaScript. Click and drag to rotate the camera. Scroll to zoom.You […]

Painting posters with code. A colorful exploration of using layered, organic movement to build complex constructions out of simple rules.

Dynamic, generative brand design created using a custom design algorithm. Each pattern is one of a kind, finished with a reflective, holographic layer of hot foil. This holographic foil reacts […]

EOS data flow is a browser-based, interactive design-system at the intersection of digital art and data- visualization.
It’s premise is to make the EOS- blockchain more approachable by giving it a “physical” shape that is a real-time representation of its current state of transactions, actions, market movement and other datasets that define the current state of the blockchain.

Press <ENTER> to create new graphic. <Click-and-drag> to rotate the camera.Please note that due to changes to Facebook’s API this system is no longer using live data but cached information. […]

Exhibited at APT Studios London, 2018.An interactive work of abstract art that graphically represents/interprets the physical presence of visitors, the surrounding environmental noise of the exhibition space as well as […]

The Prelude No.1 in C Major is arguably the most famous of Johann Sebastian Bach’s movements for the Well-Tempered Clavier and quite certainly one of the most influential and defining musical texts in history altogether. To this date, its inherent ideas, patterns and structures are continuing to shape modern music and the way we perceive and create musical compositions. Its harmonic, monophonic progression is almost mathematical in construction and of a timelessness only few composers have achieved. This is why its deceptive simplicity and inherent beauty lends itself to be appreciated and rediscovered in this series of interactive, audio-visual explorations.

To address a younger, more eccentric clientele for the Diesel campaign “Go with the Flaw” I was invited to convert the campaign trailers into an interactive and new format. The system was designed as a spherical projection for the large domes of the former NSA wiretap station “Teufelsberg” and was projected in a guerilla event onto central areas of the city during the Berlin Leuchtet Festival.

Interactice visual experiment for the Digital Design Days / OFF Festival, Milan 2017.

Man/Machine interactive interface exploration for theatre live performances. A series of 3D-physical projections mapped to physical performances in real-time. Hello Kinect and Processing.

Form. Space. Music. Interaction. „Piano“ invites the observer to be a playful part of the liaison of generative design, audio-reactive interaction and three-dimensional animation – exploring the unpredictable performances generated […]

Hint: Click-and-drag to rotate. Scroll to zoom.Press <C> to change the camera. Press <D> to create a new set of architecture.Press <G> to show the perspective grid. Press <B> to […]

“No Move” is a 3D, audio-reactive music visualization that I created for the upcoming INJUVIK Collective live-set. This real-time, browser-based animation will be part of the live electronic music- and […]

“Time” is an audio-reactive music visualization that I created for the upcoming INJUVIK Collective live-set. This real-time, browser-based 3D-visualization will be part of the live electronic music- and projection-performances Stefan, Tim […]

A visual experiment on animating a dynamic particle system using WebGL.

A visual experiment with webGL-based 3D-geometry. Specifically: Animating vertex-based displacement with textured surfaces and swapping textures in real-time.